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Wallace Shawn (born November 12, 1943) is an American actor and writer. He made his film debut playing Diane Keaton's ex-husband in Woody Allen's Manhattan in 1979, in which Woody's character dismissed him as "a homunculus," an apt characterization of the pale, bald, round actor with the wheezing, lisping voice.
His most famous role was as one of the two characters in the film My Dinner with Andre, opposite Andre Gregory. The two actors also wrote the script, which contrasted Shawn's modest down-to-earth humanism against Gregory's extravagant New-Age fantasies, leaving the viewer of the film in an ironic suspension between the two viewpoints. Interviewed by film critic Roger Ebert, Shawn and Gregory denied that they were playing themselves and stated that if they remade the film, they'd swap the two characters to prove their point.
Other notable appearances include his role as the Masked Avenger in Allen's Radio Days (1987) ("Beware, evildoers! Wherever you are!"), as the evil Vizzini in The Princess Bride (1987), and as Uncle Vanya in Andre Gregory's idiosyncratic Chekhov production filmed by Louis Malle, Vanya on 42nd Street (1994), a reading of the play set in a crumbling theater.
Shawn is a widely-used character actor on television, where he has appeared in many genres and series. He has had recurring roles as the Ferengi Grand Nagus Zek on Star Trek: Deep Space 9, a comic ex-reporter on Murphy Brown, the Cosbys' neighbor on The Bill Cosby Show and on many other shows. He is also an accomplished voice actor, appearing especially in animation (including Toy Story and Toy Story 2 where he played "Rex the Green Dinosaur") and commercials.
Shawn's career spans all aspects of "low" and "high" culture, and his plays, unlike some of his television appearances, are considered very serious (even if they often have comic aspects). His early work, such as Marie and Bruce (1978), portrayed emotional and sexual conflicts in an absurdist style. His later plays became more overtly political, drawing parallels between the psychology of his characters and the behavior of governments and social classes. Among the best-known of these are Aunt Dan and Lemon (1985) and The Designated Mourner (1997), in both of which he appeared off-Broadway; the latter was made into a film by director David Hare. Shawn's political work has invited controversy, as he often presents the audience with several contradictory points of view: in Aunt Dan and Lemon, which Shawn described as a cautionary tale against fascism, the character Lemon explained her neo-Nazi beliefs with such conviction that some critics called the play effectively pro-fascist.
Before becoming a writer and actor, Shawn studied history, economics, and philosophy at Harvard and Oxford, where he originally thought he might become a diplomat. He is the son of William Shawn, longtime editor of The New Yorker, and journalist Cecille Lyon Shawn.