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Nicholson Baker (born 1957) is a contemporary American novelist.
Baker's highly unconventional novels de-emphasize traditional elements (particularly plot), emphasizing instead a very close level of introspection and sifting of thoughts and memories on the part of the narrator.
Web postings and other data suggest that readers divide sharply in their evaluation of Baker's work. Many feel that the work wastes their time with trivia (Stephen King has notoriously compared Baker's work with fingernail clippings), but those who do enjoy the novels seem to appreciate them very much indeed. From the point of view of Baker's enthusiasts, his ability to minutely inspect and appreciate the contents of a human mind is fascinating and unique. They often find echoes of their own thoughts, only better expressed, in Baker's books; and they judge that Baker can be extremely funny.
The subject matter of several of Baker's books (in particular, sex and assassination) is felt by some readers to be extremely offensive. Other readers differ, admiring Baker's courage in taking on such topics with directness and honesty.
Nicholson Baker was born in 1957 in Rochester, New York. He studied briefly at the Eastman School of Music and received his B.A. degree from Haverford College. He lives today with his wife and two children in South Berwick, Maine. In 1997 he received the Spoiler warning: Plot or ending details follow.The Mezzanine was Baker's first novel and represents the thoughts and memories of a young male office worker as he ascends an escalator up to the mezzanine of the office building where he works. The work created the genre in which Baker works and it perhaps its boldest representative. The book abounds in long footnotes, including a vivid paean to long footnotes.
Vox is a book about an episode of phone sex between two young single people, created something of a sensation, particularly when it emerged that it had been given as a gift by Monica Lewinsky to Bill Clinton. The sex scenes in the book, though quite vivid, nevertheless seem to evoke the basic approach that Baker took in The Mezzanine; in this case, he explores his accumulated thoughts and memories as they relate to sex. For some readers, Baker's obsession with detail apparently detracts from a hoped-for pornographic effect. Others, in reading the imaginative sex stories that the two protagonists make up for each another, have perceived a budding romantic affection; it is noteworthy that the last act they perform before hanging up is to exchange phone numbers.
U and I: A True Story is partly an appreciation of John Updike, partly a kind of self-exploration, a non-fiction study of how a reader engages with the work of an author.
Checkpoint is composed of dialogue between two old high school friends, Jay and Ben, who discuss Jay's plans to assassinate President George W. Bush. Jay is a slightly unbalanced day laborer who, in the depths of anger and desperation at Bush's actions and his inability to do anything to stop them, has traveled to Washington D.C. to kill the president, using such diverse methods as depleted uranium boulders, flying radio-controlled CD saws, homing bullets marinated with the President's picture, and hypnotized Manchurian scorpions. Ben has met Jay in a Washington D.C. hotel room, unaware that his friend is planning to commit "a major, major, major crime." Over the course of the novella Ben discusses what drove Jay to plot an assassination. Baker portrays a sense of desperation felt widely in our time, as well as the extremes of frustration that a man can be brought to. The book is unquestionably the most controversial work Baker has yet written.