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In Christian eschatology, the Last Judgement is the ethical-judicial trial, judgement, and punishment/reward of individual humans (assignment to heaven or to hell) by a divine tribunal at the end of time, following the destruction of humans' present earthly existence. This eschatology has spawned numerous artistic depictions.
The doctrine and iconographic features of a "Last Judgement" are drawn from many passages from the apocalyptic books of the Bible. It appears most directly in the Apocalyptic sections of the Book of Matthew:
The doctrine is further supported by passages in Daniel, Isaiah and the Revelation of Saint John the Divine:
Adherents of millennialism, mostly Protestant Christians, regard the two passages as describing separate events: the "sheep and goats" judgment will determine the final status of those persons alive and the end of the Tribulation, and the "great white throne" judgment will be the final condemnation of the unrighteous dead at the end of all time, after the end of the world and before the beginning of the eternal period described in the final two chapters of Revelation.
In art, the Last Judgement is a common theme in medieval and renaissance religious iconography. Like most early iconographic innovations, its orgins stem from Byzantium. In Western Christianity, it is often the subject depicted on the central tympanum of medieval cathedrals and churches, or as the central section of a triptych, flanked by depictions of heaven and hell to the left and right, respectively (heaven being to the viewer's left, but to the Christ figure's right).
The most famous Renaissance depiction is Michelangelo Buonarroti's "The Last Judgement" in the Sistine Chapel. Included in this is his self portrait, as St. Bartholomew's flayed skin.