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Ewe music

Ewe music is the music of the Ewe people. Its highest form is in dance music including a drum orchestra, but there are also work, play, and other songs. It is featured in metrical build of songs.

1. Nearly all rhythms which are used in combination are made from simple aggregates of a basic time-unit. A quaver is always a quaver.
2. The claps or other time-background impart no accent what-ever to the song.
3. African [Ewe] melodies are additive: their time-background is divisive.
4. The principle of cross-rhythms.
5. The rests within and at the end of a song before repeats are an integral part of it.
6. Repeats are an integral part of the song: they result in many variations of the call and response form (see summary).
7. The call and response type of song is usual in Africa [sic].
8. African [Ewe] melodies are diatonic: the major exception being the sequence dominant-sharpened subdominant-dominant.
9. Short triplets are occasionally used.
10. The teleological trend: many African [Ewe] songs lean towards the ends of the lines: it is at the ends where they are likely to coincide with their time-background.
11. Absence of the

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Drums

Master drum: Atsimewu Asiwui: Sogo, Kidi, Kagaŋ.

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Claps and song

Voice and hands.

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