Boris Godunov (opera)

Boris Godunov is an opera by Modest Mussorgsky, based on the drama of the same name by Aleksandr Pushkin. It was first produced in Saint Petersburg, Russia in 1874.

The work exists in two main versions: the original 1869 version, and a revised version from 1872. The two offer significantly different portrayals of Boris; a 1997 Kirov Opera recording included both versions, each with a different singer playing the Czar.

The opera was reorchestrated twice by Nikolai Rimsky-Korsakov (1896 and 1908), who provided much more refined versions; these are the versions usually performed today in Russia. In the west, Mussorgsky's original, rather rough orchestral score has become more popular, as some critics prefer the dark colors of the original as being more in keeping with the character of the story. The opera was also orchestrated by Dmitri Shostakovich.

Synopsis (1872 version)

Place, Russia.

Time, 1598-1605.

ACT I. Scene I is set in front of the Novodievitchi Convent and the populace, sufficiently inspired by a police officer, are demanding that the Tzar reassume the sceptre of Russia. The secretary of the Douma comes out of the convent, and informs the crowd that the Tzar still refuses. The crowd again renews its appeal. Scene II is set in a cell within the convent. Gregory awakes from a horrible dream. He bemoans the fate of the murdered Tzarevitch. Scene III is in the great Square between the two Cathedrals of the Assumption and the Archangels. The populace are awaiting the coming of the Tzar. He appears amid cries of joy, addresses the people, and then enters the Cathedral of the Assumption.

ACT II. Scene I is in an inn. Gregory and two monks who have escaped from the convent with him, enter. Shortly afterwards a guard appears in search of a fugitive whose description tallies with that of Gregory. He rushes from the room with the guard in pursuit. Scene II is in the Tzar's apartments in the Kremlin. Word is brought to the Tzar that Dimitri who was murdered (impersonated by Gregory) has reappeared and is rousing the people. The Tzar betrays great agony of mind.

ACT III. Scene I is in a garden before the Polish Castle of Mniscek. In a love scene between the False Dimitri and Marina, she spurs him on to lead the attack against Moscow so that he may seize the throne and make her queen. Scene II is in the Forest of